The Devil Makes Three exhibits their wide range of influences including nods to the blues, gospel, country, bluegrass, and even the obscure. The energy that fills their live shows is also prevalent throughout.

A vivid portrait of the roots of Anglo-American sacred music, including 18th-century psalmody from New England, 19th-century shape-note songs from the rural South, and some of the longest-lived and best-loved gospel songs. (Cf. container)

After an album of French songs that earned her a Gramophone Award in 2016, Veronique Gens presents her new recital, this time with orchestra, which gives her an opportunity to display the maturity of her ''Falcon'' soprano, the central tessitura typical of French Romantic opera, which takes its name from Cornelie Falcon, who created the works of Meyerbeer and Halevy staged in the 1830s.